I started this year with the decision to end an important chapter in my life. It has been obvious to me for some months now that the online business I founded in early 2017, whilst living on a farm in rural KwaZulu Natal, was loosing momentum and getting pushed further and further from my priority list. The less energy and time I had to give to nurturing and growing YOGICOMM, the less it fulfilled its purpose, and the less important it became in my clients’ lives. And so, I’ve decided to close shop. As I do this, I’m taking stock and having a good look at the (online) space I created and why I created it. I would like to share with you some of things that have struck me as valuable and worth carrying forward with me as I embark on a new chapter.
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It is becoming increasingly hard to reconcile the 2,500 year old ‘origins’ of yoga with its modern expressions. Many modern styles arise from what can be understood as the second wave of exportation of yoga from the Indian subcontinent to the ‘West’. The first wave occurred in the 1800’s. This early wave was consumed by a minority sub-culture of extremely experimental artists and thinkers in the West. It in no way lead to a mainstream movement. The way yoga was understood then was in line with the highly spiritual and religious origins of the practice - yoga being a manifold system of living that leads to union with god/the divine and a notion of ‘enlightenment’. This system prescribed a lifestyle of which movement/exercise (what we now recognise as the sum-total of ‘yoga’) was only a minute part. It prescribed ideas most people now would be highly suspicious of, including celibacy and patriarchy.
In February 2016 I visited Sri Lanka for 4 weeks or so with my Mother. It was a high point in a period of roughly four months in which I travelled, read novels and soaked up the sun. I had little motivation for each day other than simply not thinking too hard. I handed in my PhD in late November 2015 and needed that chunk of time to drift and let my brain and body recuperate. I see it as an enormously fortunate occurrence that 2 of the 4 weeks we spent in Sri Lanka were anchored at Villa de Zoysa on the south-western coast. There are two layers to this providence
The past two or so months has been a time of flux, new experiences and varied challenges. I moved continent and uprooted my comfortable cottage on scenic farmlands, swopping it for a dinky apartment in a frenzied European city. In many way ways I still yearn for the wildly flung blue skies of African wilderness, and something tells me I will never be rid of this yearning as long as I am absent from my homeland. In spite of this I have tried to immerse myself in the present, taking deep gulps of car-fumed-full air and elbowing my way through crowds of gawking American tourists with jolly gusto.
Central to gagaku is the Japanese concept of ma, meaning “the space between”, or “powerful space”. To the late Takemitsu, ma was the “void that isn’t empty”, a space between things that is full of energy. This concept filters through other pillars of Japanese classical art and philosophy, such as feng shui and specifically garden landscaping. Indeed, Takemitsu, considered his music to be like walking through a garden, where your senses are lifted as you traverse towards greater peace and harmony - a tree rustles in the breeze, a bird takes flight, light falls in a dappled pattern across your path.