I’ve been sitting on the floor in my apartment, bathed in heavenly soft European sun, with paints in hand. I’m becoming familiar once again with old friends. I was struck afresh by the magnetism of Ultramarine blue. Its the first paint I picked up, and its the one I continuously return to. I have used this, or a slightly darker and more dramatic hue, Prussian Blue, in almost all paintings I’ve done. As my work has become more abstract over time, I’ve relied on the depth, the richness and, critically, the complex moods of ultramarine more. Yet, its not just the hue that draws me, its the history of the pigment too.
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Concerning the Spiritual in Art